+ ALTernative ENERGY : a program of works and workshops

+ curator = kyd campbell of frontierlab.org

 

The ALTernative ENERGY program can be presented as a curatorial talk discussing this collections of works, as an exhibition and series of performances and as a series of workshops. Please feel free to get in contact for more information.

 

 

 

+ travelling program

+ 5 workshops

+ 3 audio performances

+ 2 installations

+ public talk

 

    cc.

 

 

 


 

 

 

 

 

 

 

 

 

 

 

   

what

summary  

ALTERNATIVE ENERGY is workshop series. This series of short workshops is based on the topic of 'alternative energy' as used by experimental sound artists. This proposed program includes recognised Canadian sound artists presenting demonstrations and workshops related to their ongoing bodies of art work. This program is proposed by frontierlab and tinynoise sound art project, programmed by independent curator Kyd Campbell.

     
project topic   Artists often seek to be more in control of their environments, their actions and even in control of others while managing to keep themselves 'remote' - or at a distance. This is not always a physical distance, it is sometimes a diffused notion of distance and it often embodies a productive and creative approach. It is in this way that artistic projects become autonomous and sustainable. This series of workshops presents both physical uses and ideological approaches to the notion of ATLERNATIVE ENERGY
Solar energy, potato power, sampling, remixing, recycling old technology and opening up to using unexpected materials for sound art production are among some of the approaches that will be presented. It may be possible to discover some of the newest technology solutions.
     
artists  

+ Kyd Campbell + Steve Helsing > The FARM > workshop: Solar Power/Sustainable Art

+ Freida Abtan + Constantine Katsiris > Freida Abtan + Scant Intone > workshop: Sampling Culture

+ David Ross + Claire Ironside + Angela Iarocci > Pomme de Parterre > workshop: Potato Power

+ Marcelo Coelho + Darsha Hewitt > workshop: DIY Sound Bytes - Listening to your Garbage

+ Jeff Morton > Nuthre > workshop: Patch Art – Expanding Programming Circumstance

   

 

workshop summaries  

+ Kyd Campbell + Steve Helsing > The FARM > workshop: Solar Power/Sustainable Art
TheFARM is a solar powered sound installation that was designed for an outdoor sculpture park in Montreal. The project inhabited the downtown park for one year. When Kyd Campbell and Steve Helsing received the commission to make this electronic project, it was under the condition that we were not allowed to plug into the buildings around for electricity. They created a concept and a solar powered system which fit the situation. During this 3 hour workshop the artists will demonstrate how to power electronic installations and public art with alternative energy.

+ Freida Abtan + Constantine Katsiris > Freida Abtan + Scant Intone > workshop: Sampling Culture
This two-day workshop will cover the basics of sampling, sound editing, and sequencing. It will contextualize this information with information on copyright issues and the creative commons license with references to modern electronic music dissemination techniques such as file sharing and net labels. Facilitators Freida Abtan and Constantine Katsiris will teach two 4 hour classes in which participants will be instructed on the culture surrounding sampling as well as on the techniques sampling requires. Workshop participants will be encouraged to bring in some of their favorite music to plunder for samples. Some discussion on what constitutes fair use and recognizably will ensue.

+ David Ross + Claire Ironside + Angela Iarocci > Pomme de Parterre > workshop: Potato Power
Angela Iarocci, Claire Ironside and David Ross have conceived Pomme de parterre, an installation in which the lowly potato becomes a generator of light and sound, creating a visual and sonorous environment within a potato patch. ‘Pomme de parterre’ examines the potential for a symbiotic relationship between technology and the environment envisioned through the creation of an alternative energy source. During the summer of 2007 the potato choir will ‘perform’ in the Metis Sculpture Garden in Quebec during the 8th International Garden festival. Following this installation, the artists will present their work and a practical workshop on how to harness energy from potato batteries and other unusual power sources.

+ Marcelo Coelho + Darsha Hewitt > > workshop: DIY Sound Bytes - Listening to your Garbage
The materials used to construct speakers and microphones influence the quality of the sound they play. This workshop examines how to generate original sounds by identifying and incorporating unique materials into the design of DIY microphone and speaker kits. Participants will be able to build their own mini sound modules complete with homemade speakers and microphones. The modules will be constructed from found materials, wires and magnets. Participants will learn basic electronics, oscillators, amplifiers and how they can be used to control speakers made out of found wires and magnets. This all day workshop will conclude with a final presentation by all the participants.

+ Jeff Morton > Nuthre > workshop: Patch Art – Expanding Programming Circumstance
This workshop will lead participants through an exploration of audio interface programming as a visual environment. Participants will build patches and programs in either PureData or MaxMSP with the primary motivation of "drawing" their progamming as distinctly visual as well as acoustiuc phenomena. Individual participants, regardless of their previous skill or experience with visual programming, will balance their programming techniques with an exploration of the programming language components as parts comprising a visual art piece. In this way participants may choose to produce a very simple audio patch with a very involved visual composition, while some others may choose to produce complicated patches that gain their visual design through the complexity and inherent functions of their inner workings. Emphasis will be placed on brainstorming connections between acoustic and visual space and how the two environemnts may inform one another. Jeff Morton will lead this workshop and help faciliate every participant's creation through tips on programming as well as on what objects (in PureData and MaxMSP) may be made to look like and/or confounded to produce or represent alternate visual forms. Topics of particular interest include: "large-canvas" patches (on- and off-screen), animated patches, abstract visual representation, and interactive visual elements. Participants must bring a laptop with ether PD-Extended and/or MaxMSP installed.

     
biographies  

Constantine Katsiris
http://www.panospria.com

Scant Intone is the solo project of Canadian artist Constantine Katsiris for his explorations in modern audio. From stark minimalism to densely complex textures, his output incorporates elements of field recordings, raw data and digital sound synthesis. The compositions are experiments in abstract electronic music, with influences including ambient, lowercase, noise, glitch and drone. Constantine has brought his sound to many notable venues, such as the Society for Arts and Technology in Montreal, Zentrale Randlage in Berlin and Whitechapel Art Gallery in London. He is curently releasing his newest project Yellowknives.

Freida Abtan
http://www.subtlemovements.com

Freida Abtan is a multi-disciplinary artist and composer living in Montreal, Canada. Her music falls somewhere in between musique concrete and modern noise and experimental audio. Concentrating on the visceral and inspired by dreams, she has created visual shows for and played with bands such as Nurse with Wound and presented her own sound and visual work at festivals across Canada. Her first album "subtle movements" is available on United Dairies.

Kyd Campbell
http://www.frontierlab.org

KYD CAMPBELL is an independent artist and curator developing projects aimed at promoting action through the creation of new forums for discourse and new interactive situations. She works internationally on technology art and public art projects in Canada, Bulgaria, Serbia, Turkey and Germany and with the Upgrade! International. She is the founder of TinyNoise nomadic sound art project.

Steve Helsing
http://www.zukanter.com

Steve Helsing is interested in expanding, both practically and theoretically, notions of public space, alternative ways to harvest energy, and the possibilities for new forms of engagement and interaction in the urban environment. He is concerned with the re-valuation of excess, or waste, and educational projects of disseminating DIY tactics for utilizing these excesses. His current interests include working with electronics, installing public art, and fitting bike trailers with mobile power sources. He currently works as a programmer and consultant for companies in Montreal and Toronto and in the Information Technology department at Concordia Univerity in Montreal.

Jeff Morton
http://www.myspace.com/nuthre

Composer/audio-artist, jazz musician/improviser, and graduate student in music composition at the University of Victoria, Jeff Morton was born and raised in Saskatchewan, completing his undergraduate study in Music at the University of Saskatchewan. Morton is an active electronic and electro-acoustic musician, producing solo and collaborative works in Saskatoon, Regina, Montreal, Victoria, Vancouver, Germany, and Eastern Europe. Recent work includes a solo performance at Connect XII, the 8th annual August long-weekend concert by the Jeff Morton Trio+1 in rural South-East Saskatchewan, and the release of two albums, Bloops for Alice and Saskatoon Shoes, on Montreal-based labels NoType and Panospria, respectively. He performs under the name Nuthre.

Marcelo Coelho
http://www.cmarcelo.com

Marcelo Coelho is a Research Assistant at the Ambient Intelligence Group at the MIT Media Lab, in Cambridge, MA. His work explores how technology can refashion communication by incorporating computation into common substrates, materials and structures. Some of his projects include experimental websites, reactive garments, flying robots and edible circuits. Marcelo holds a BFA in Computation Arts, with highest honors, from Concordia University in Montreal, Canada. Before joining the MIT Media Lab, Marcelo worked as a researcher at XS Labs developing wearable technology and interactive textiles. His art and computational explorations have been published and showed at the Societe des arts technologiques (2003), VAV Gallery (2004), Digifest (2004), SIGGRAPH (2003, 2005, 2006), ISWC (2005) and CHI (2006), among others.

Darsha Hewitt
http://www.artengine.ca/darsha

Darsha Hewitt is an artist from Ottawa currently based in Montréal, Canada. She often collaborates with other artists and engineers and works mainly with hacked electronics, Open- Source programming software/hardware, ageing technology and public vicinities. Her artwork looks at the role of automation in everyday life and how technology-reliant society silences and reinterprets identity. Recent exhibitions include: Video Pool (CA), Damaged Goods at Piksel '06 (NO), Press Play at Interaccess (CA), Racines D'origine with Art origine (FR) and Ma culture mes milieu at the Ottawa Art Gallery (CA). She has upcoming exhibitions at Make Art Festival (FR) and in Media Povera at the Ottawa Art Gallery (CA). Darsha is an active member of the PureData community (an Open-Source programming software for artists). She is the coordinator of the 2nd International PureData Convention.

David Ross
http://graphicstandards.org

David Ross is a visual artist whose photographic projects and architectural propositions interrogate the psychological and practical aspects of storage. Ross has participated in and curated over 30 visual arts exhibitions in North America and Europe. Recently, in collaboration with his partner Rebecca Duclos, Ross developed a fictitious design competition for an artifact storage facility in the UK (www.letherium.org). In 2008 Ross and Duclos will be converting the University of Waterloo Art Gallery into a temporary gallery/storage facility for students on work-terms in a project called DEPOT. Ross is also currently working on a series of commissioned photographs of storage areas at the MusZ¹e d'art de Joliette in Quebec. Ross holds a Masters of Architecture degree from the University of Toronto (2003). In 2002 he was a Research Fellow in the Museum Studies programme at the University of Manchester (UK) and is currently a Research Associate with RENDER at the University of Waterloo. His work has been featured in Canadian Architect (Fall 2004), Art & Architecture Journal (Spring 2005), and in two recent Alphabet City/MIT Press publications 'Trash' (2006) andthe upcoming 'FOOD' (2007).

Claire Ironside
Claire Ironside’s design and art practice draws on her academic training in design, geography, and environmental and communication studies as well as early years growing up in small town Ontario. She is the recipient of several design grants, awards and scholarships and holds a Master of Architecture degree from the University of Toronto, a Master of Environmental Studies from York University and two undergraduate degrees from the University of Guelph – a Bachelor of Landscape Architecture and an Honours Bachelor of Arts in Urban and Cultural Geography. As a designer she has worked in the public and private sector, specializing in urban infrastructure design and planning, architecture, landscape design, and public art. More recently her creative practice has been focused on trans-disciplinary collaborative explorations combining design, art, craft, technology, commerce and education in support of making ‘art of the possible’ – work that stimulates real world change. Current areas of focus include developing and designing: architectural interventions both real and imagined, information based projects and exhibits, and merging craft, design and art to create renewed objects and works. As a fulltime Professor in Sheridan College’s Bachelor of Applied Illustration, her teaching and research focus involves combining alternative research methodologies and cultural practice to support information/data based communications in both two and three dimensions.

Angela Iarocci
Angela Iarocci is a Professor in the York/Sheridan Honours Bachelor of Design program where she teaches undergraduate courses in two and three dimensional design and information design. Her research investigations are concentrated in information visualization through mapping and diagramming. She has a Bachelor degree in industrial design from Carleton University and is a graduate of the University of Toronto Master of Architecture program (2003) where she received numerous awards including the Royal Architectural Institute of Canada Student Medal in Architecture. Her professional design experience is concentrated in environmental graphic design, specifically on wayfinding, exhibits, and interpretive installations. Currently she is engaged in a collaborative, research-based design practice integrating information design, architecture, and both handmade and digital means of production.

... the group [David Ross, Claire Ironside, Angela Iarocci]
Claire Ironside and Angela Iarocci have been collaborating for the past three years. Their work seeks to render the ordinary extraordinary by creating experiences and interactions using objects, spatial interventions and data visualizations. These projects foster individual and collective participation centered on the multiple themes of sustainability, activism and social engagement. Iarrocci, Ironside and Ross have been working collaboratively and tangentially since 2001. Iarroci and Ironside are based in Toronto, Ross in Montreal.

   

 

    more details
     
   

KYD CAMPBELL is an independent artist and curator. She develops projects aimed at promoting action through the creation of new forums for discourse and new interactive situations. She works internationally on technology art and public art projects and with the Upgrade! International network. She is the co-founder of TinyNoise nomadic sound art project and the NJP collective. She was the programming director of the 8th edition of the HTMlles Festival for Media Art and Networked Practices which addressed the theme of Corwd Control. She curated the EXPORT2 artists mobility project, an initiative of StudioXX feminist technology art center in Montreal. As an artist she works with refuse materials, network technologies and Free and Open Source Softwares. She was a curatorial resident at InterSpace Media Art Center in Sofia, Bulgaria and this is where she discovered the importance of sustainable technological practices.
www.frontierlab.org
www.tinynoise.com
www.htmlles.net
www.studioxx.org
www.theupgrade.net